CLUTCH. (2021)
Fanfare arranged for Brass Band
Duration Approximately 3:15
Grade 5
FULL SCORE /
Soprano Cornet in Eb
Solo, Repiano, 2nd & 3rd Cornets in Bb
Flugelhorn in Bb
Solo, 1st & 2nd Horn in Eb
Baritone Horn in Bb 1 & 2
Bass Trombone
Euphonium
Tuba in Eb & Bb
Timp Perc (6)
Click here to preview score
Duration Approximately 3:15
Grade 5
FULL SCORE /
Soprano Cornet in Eb
Solo, Repiano, 2nd & 3rd Cornets in Bb
Flugelhorn in Bb
Solo, 1st & 2nd Horn in Eb
Baritone Horn in Bb 1 & 2
Bass Trombone
Euphonium
Tuba in Eb & Bb
Timp Perc (6)
Click here to preview score
Commissioned by John Szczerowski and the Grand Ledge High School Wind Symphony.
For my Dad, Lawrence William Perkins, a friend to all and aficionado of fast cars.
I have visceral childhood memories of going to the Belle Isle Indycar races in Detroit with my Dad. The smell of high-octane racing fuel, burning rubber, domestic beer, feeling the scorching-hot summer sun bouncing off the asphalt. The pitch-bending sounds of the Formula One cars screaming past us at insane speeds, the roar of the crowd at the checkered flag. Wildly dangerous, every boundary being tested, all for a chance at the winner’s circle. This competitive spirit inspired me to write a fanfare that pushes the boundaries of tempo, range, & technical demand, and gives the conductor, performers, and listener a nice adrenaline rush too. I also wanted to push myself to write the most exciting, wildly chaotic music that I could imagine. Fast, loud, and a little bit reckless. Buckle up.
For my Dad, Lawrence William Perkins, a friend to all and aficionado of fast cars.
I have visceral childhood memories of going to the Belle Isle Indycar races in Detroit with my Dad. The smell of high-octane racing fuel, burning rubber, domestic beer, feeling the scorching-hot summer sun bouncing off the asphalt. The pitch-bending sounds of the Formula One cars screaming past us at insane speeds, the roar of the crowd at the checkered flag. Wildly dangerous, every boundary being tested, all for a chance at the winner’s circle. This competitive spirit inspired me to write a fanfare that pushes the boundaries of tempo, range, & technical demand, and gives the conductor, performers, and listener a nice adrenaline rush too. I also wanted to push myself to write the most exciting, wildly chaotic music that I could imagine. Fast, loud, and a little bit reckless. Buckle up.